@inbook {23885,
	title = {Nabokov\&rsquo;s Factography},
	booktitle = {Vladimir Nabokov and the Fictions of Memory},
	year = {2019},
	pages = {21-50},
	publisher = {Fundacja Augusta hr. Cieszkowskiego},
	organization = {Fundacja Augusta hr. Cieszkowskiego},
	address = {ed. Irena Ksi{\k e}{\.z}opolska and Miko{\l}aj Wi{\'s}niewski. Warsaw},
	abstract = {\&nbsp;Nabokov{\textquoteright}s fictional retrospective first-person narratives rely on the {\textquotedblleft}perfect-memory{\textquotedblright} convention, which is, however, sometimes laid bare or even subverted. This convention makes no inroads in Nabokov{\textquoteright}s factorgraphic narratives, such as Speak, Memory and {\textquotedblleft}Abram Gannibal.{\textquotedblright} This paper discusses the narrative techniques that replace the {\textquotedblleft}perfect-memory{\textquotedblright} convention in the {\textquotedblleft}childhood-adolescence-youth{\textquotedblright} part of Speak, Memory, and the way these techniques relate to Nabokov{\textquoteright}s view of the workings of memory, in the context of some his literary and philosophical precursors.\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;},
	url = {https://www.econtenta.com/en/search/results?author\%5B\%5D=Leona+Toker},
	author = {Leona Toker}
}
