@inbook {27245,
	title = {צופן:אדמע כרומן מודרניסטי},
	booktitle = {חידת ק.צטניק: חייו ויצירתו},
	year = {2023},
	pages = {381{\textendash}92},
	publisher = {ערכים דינה פןרת עם יוחאי עתריה. פרדס},
	organization = {ערכים דינה פןרת עם יוחאי עתריה. פרדס},
	address = {חיפה},
	author = {לאונה טוקר}
}
@inbook {27074,
	title = {\&quot;To Define is to Distrust\&quot;: Intertextual Ambiguity in Laurence Sterne\&$\#$39;s Tristram Shandy and James Joyce\&$\#$39;s Ulysses},
	booktitle = {Strategies of Ambiguity},
	year = {2023},
	pages = {291-305},
	publisher = {Routlege},
	organization = {Routlege},
	address = {Ed. Matthias Bauer and Angelika Zirker. New York},
	abstract = {In the final episode of James Joyce{\textquoteright}s Ulysses, Molly Bloom recollects how, in response to a priest{\textquoteright}s question {\textquotedblleft}where,{\textquotedblright} she returned an answer not about a part of her body but about a geographical location. This alludes to an episode of similar cross purposes of Widow Wadman and Uncle Toby in Laurence Sterne{\textquoteright}s Tristram Shandy. The interplay between the two texts is associated with the positive valorization of ambiguity on the part of the narrator of Tristram Shandy. In Sterne{\textquoteright}s novel, legal and contractual definitions which seek to eliminate all ambiguity are, like Uncle Toby{\textquoteright}s fortifications, a temptation for the forces of entropy: instead of shielding the characters from the intrusions of chance, they expose Tristram to serio-comic catastrophes. In Ulysses disambiguation is not a defensive but an offensive weapon ({\textquotedblleft}Unsheathe your dagger definitions{\textquotedblright}; 238). In both cases, but particularly in Ulysses, the valorization of ambiguity in discourse is parallel to structural ambiguities that give rise to diametrically opposite readings. Ambiguity emerges not just as a matter of narrative rhetoric but as a feature of the creative impulse behind the story worlds, and as a challenge to the ethics of reading.},
	url = {https://www.taylorfrancis.com/books/oa-edit/10.4324/9781003298083/strategies-ambiguity-matthias-bauer-angelika-zirker},
	author = {Leona Toker}
}
@inbook {27027,
	title = {Not Typical but Typifying: Varlam Shalamov\&$\#$39;s \&$\#$39;A Piece of Meat\&$\#$39;},
	booktitle = {Witnessing the Witness of War Crimes, Mass Murder, an Genocide},
	year = {2023},
	pages = {239-248},
	publisher = {de Gryuter},
	organization = {de Gryuter},
	address = {ed. Manuela Consonni and Philip Galland Nord, Berlin},
	url = {https://www.degruyter.com/document/doi/10.1515/9783110771381-012/html},
	author = {Leona Toker}
}
@inbook {26684,
	title = {О ценностях и о цене\&quot; [\&quot;On Values and on the Price\&quot;]. Foreword to vol. 3 of the 6-volume edition of Georgy Demidov\&$\#$39;s works},
	booktitle = {Любовь за колючей проволокой (Собрание сочинений Георгия Демидова в 6-ти томах)},
	volume = {3},
	year = {2022},
	pages = {10-16},
	publisher = {Gulag History Museum / Ivan Limbach},
	organization = {Gulag History Museum / Ivan Limbach},
	address = {Moscow}
}
@inbook {26588,
	title = {אחרית דבר [Afterword]},
	booktitle = {אדה: כרוניקה משפחתית  [Ada or Ardor: A Family Chronicle], by Vladimir Nabokov; trans. Daphna Rosenbluth},
	year = {2022},
	pages = {547-555},
	publisher = {Carmel},
	organization = {Carmel},
	address = {Jerusalem}
}
@inbook {25996,
	title = {The Issue of \&ldquo;Softening\&rdquo; and the Problem of Addressivity in Solzhenitsyn and Shalamov},
	booktitle = { The Gulag in Writings of Aleksandr Solzhenitsyn and Varlam Shalamov, ed. Fabian Heffermehl and Irina Karlsohn},
	year = {2021},
	pages = {271-288},
	publisher = {Brill},
	organization = {Brill},
	address = {Leiden},
	author = {Leona Toker}
}
@inbook {25800,
	title = {Israel},
	booktitle = {Philip Roth in Context, ed. Maggie McKinley},
	year = {2021},
	pages = {150{\textendash}59},
	publisher = {Cambridge University Press},
	organization = {Cambridge University Press},
	address = {Cambridge},
	author = {Leona Toker}
}
@inbook {25799,
	title = {Urban Intelligentsia in A Tale of Two Cities},
	booktitle = {Critical Insights: A Tale of Two Cities, ed. Robert C. Evans},
	year = {2021},
	pages = {79{\textendash}92},
	publisher = {Salem House},
	organization = {Salem House},
	address = {Ipswich, MA},
	author = {Leona Toker}
}
@inbook {24361,
	title = {\&ldquo;Student Years, 1968\&ndash;1973\&rdquo; [a memoir]},
	booktitle = {Anglu kalbos slepiniu pavilioti: Prisiminimu kaleidoskopas},
	year = {2019},
	pages = {271-92},
	publisher = {Vilnius University Press},
	organization = {Vilnius University Press},
	address = {Ed. Inesa {\v S}e{\v s}kauskiene and Jone Grigaliuniene. Vilnius},
	abstract = {Reminiscences of student days at Vilnius University},
	author = {Leona Toker}
}
@inbook {23885,
	title = {Nabokov\&rsquo;s Factography},
	booktitle = {Vladimir Nabokov and the Fictions of Memory},
	year = {2019},
	pages = {21-50},
	publisher = {Fundacja Augusta hr. Cieszkowskiego},
	organization = {Fundacja Augusta hr. Cieszkowskiego},
	address = {ed. Irena Ksi{\k e}{\.z}opolska and Miko{\l}aj Wi{\'s}niewski. Warsaw},
	abstract = {\&nbsp;Nabokov{\textquoteright}s fictional retrospective first-person narratives rely on the {\textquotedblleft}perfect-memory{\textquotedblright} convention, which is, however, sometimes laid bare or even subverted. This convention makes no inroads in Nabokov{\textquoteright}s factorgraphic narratives, such as Speak, Memory and {\textquotedblleft}Abram Gannibal.{\textquotedblright} This paper discusses the narrative techniques that replace the {\textquotedblleft}perfect-memory{\textquotedblright} convention in the {\textquotedblleft}childhood-adolescence-youth{\textquotedblright} part of Speak, Memory, and the way these techniques relate to Nabokov{\textquoteright}s view of the workings of memory, in the context of some his literary and philosophical precursors.\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;\&nbsp;},
	url = {https://www.econtenta.com/en/search/results?author\%5B\%5D=Leona+Toker},
	author = {Leona Toker}
}
@inbook {23565,
	title = {Towards a Literary History of Concentration Camps: Comparative or \&lsquo;Entangled\&rsquo;?},
	booktitle = {Narratives of Annihilation, Confinement, and Survival },
	year = {2019},
	pages = {13-29},
	publisher = {de Gruyter},
	organization = {de Gruyter},
	address = {Ed. Anja Tippner and Anna Artwinska. Berlin}
}
@inbook {21148,
	title = {\&ldquo;Пересмотр понятия \&laquo;героизм\&raquo; в рассказах Шаламова [A Reconsideration of the Concept of Heroism in Shalamov\&rsquo;s Stories].\&rdquo;},
	booktitle = {{\guillemotleft}Закон сопротивления распаду{\guillemotright}. Особенности прозы и поэзии Варлама Шаламова и их восприятие в начале XXI века.},
	year = {2017},
	pages = {69-78},
	publisher = {N{\'a}rodn{\'\i} knihovna {\v C}esk{\'e} republiky},
	organization = {N{\'a}rodn{\'\i} knihovna {\v C}esk{\'e} republiky},
	address = {Ed. Lukasz Babka, Sergey Soloviev, Valery Esipov, and Ian Makhonin. Prague }
}
@inbook {21147,
	title = {\&ldquo;Слово о голодном воздержании. \&laquo;Голодарь\&raquo; Кафки и \&laquo;Артист лопаты\&raquo; Шаламова.\&rdquo; Trans. D. Subbotin,},
	booktitle = {Shalamovskii Sbornik 5},
	year = {2017},
	pages = {378{\textendash}95},
	publisher = {Common Place},
	organization = {Common Place},
	address = {ed. V. V. Esipov. Vologda},
	abstract = {An updated translation of ch. 10, {\textquotedblleft}Discourse of Lent: Kafka{\textquoteright}s {\textquoteright}A Hunger Artist{\textquoteright} and Shalamov{\textquoteright}s {\textquoteright}The Artist of the Spade,{\textquoteright}" of L. Toker\&nbsp;Towards the Ethics of Form in Fiction: Narratives of Cultural Remission\&nbsp;(Columbus: Ohio State University Press, 2010).}
}
@inbook {19487,
	title = {Varlam Shalamov\&$\#$39;s Sketches of the Criminal World},
	booktitle = {Born to Be Criminal: The Discourse on Criminality and the Practice of Punishment in Late Imperial Russia and Early Soviet Union},
	year = {2017},
	pages = {233-45},
	publisher = {Transcript},
	organization = {Transcript},
	address = {Ed. Riccardo Nicolosi and Anne Hartmann. Bielefeld}
}
@inbook {15728,
	title = {The Sample Convention, or, When Fictionalized Narratives Can Double as Historical Testimony},
	booktitle = {Narration as Argument},
	year = {2017},
	pages = {123-140},
	publisher = {Springer},
	organization = {Springer},
	address = {Ed. Paula Olmos. Berlin},
	url = {http://www.springer.com/gp/book/9783319568829?wt_mc=Internal.Event.1.SEM.ChapterAuthorCongrat}
}
@inbook {14171,
	title = {Bellow on Israel:To Jerusalem and Back},
	booktitle = {The Cambridge Companion to Saul Bellow},
	year = {2017},
	pages = {134-45},
	publisher = {Cambridge University Press},
	organization = {Cambridge University Press},
	address = {Ed. Victoria Aarons. Cambridge}
}
@inbook {15107,
	title = {Afterword (in Hebrew)},
	booktitle = {In Elizabeth Gaskell, North and South, Hebrew translation by Edith Sorer},
	year = {2016},
	pages = {517-28},
	publisher = {The Armchair Publishing House / Modan},
	organization = {The Armchair Publishing House / Modan},
	address = {Tel Aviv}
}
@inbook {15031,
	title = {Rereading Varlam Shalamov{\textquoteright}s {\textquoteleft}June{\textquoteright} and {\textquoteleft}May{\textquoteright}: Four Kinds of Knowledge},
	booktitle = {(Hi)stories of the Gulag: Fiction and Reality},
	year = {2016},
	pages = {193-203},
	publisher = {Universit{\"a}tsverlag Winter},
	organization = {Universit{\"a}tsverlag Winter},
	address = {Ed. Felicitas Fischer von Weikersthal and Karoline Thaidigsmann. Heildelberg}
}
@inbook {14552,
	title = {Bergson and the Modernist Novel: Joyce and Beyond},
	booktitle = {1914: Ruptures et continuit{\'e}s},
	year = {2016},
	pages = {125-37},
	publisher = {L{\textquoteright}Harmattan},
	organization = {L{\textquoteright}Harmattan},
	address = {Ed. Caroline B{\'e}renger and {\'A}lvaro Fleites Marcos. Paris},
	url = {http://www.editions-harmattan.fr/index.asp?navig=catalogue\&obj=livre\&no=50751}
}
@inbook {15029,
	title = {Bernard Harrison on the English Novel},
	booktitle = {Reality and Culture: Essays on the Philosophy of Bernard Harrison},
	year = {2014},
	pages = {81-96},
	publisher = {Rodopi},
	organization = {Rodopi},
	address = {Ed. Patricia Hanna. Amsterdam}
}
@inbook {15030,
	title = {Narrative and Talk-Back: Joseph Conrad{\textquoteright}s {\textquoteright}Falk{\textquoteright}},
	booktitle = {Literature as Dialogue: Invitations Offered and Negotiated},
	year = {2014},
	pages = {115-34},
	publisher = {John Benjamins},
	organization = {John Benjamins},
	address = {Ed. Roger Sell. Amsterdam}
}
@inbook {15104,
	title = {Afterword: The Artist of the Pen, the Hunger Artist, the Artist of the Spade (in Hebrew)},
	booktitle = {Varlam Shalamov, The Artist of the Spade, Hebrew translation by Liza Chudnovski},
	year = {2013},
	pages = {305-312},
	publisher = {Carmel},
	organization = {Carmel},
	address = {Jerusalem}
}
@inbook {15105,
	title = {Foreword: The Art of Documentation (in Hebrew)},
	booktitle = {Varlam Shalamov, The Left Bank, Hebrew translation by Liza Chudnovski},
	year = {2013},
	pages = {7-16},
	publisher = {Carmel},
	organization = {Carmel},
	address = {Jerusalem}
}
@inbook {15028,
	title = {The Holocaust in Russian Literature},
	booktitle = {The Literature of the Holocaust},
	year = {2013},
	pages = {118-30},
	publisher = {Cambridge University Press},
	organization = {Cambridge University Press},
	address = {Ed. Alan Rosen. Cambridge}
}
@inbook {15027,
	title = {Literary Pragmatics: The Addressivity of W.H. Auden{\textquoteright}s {\textquoteleft}Spain{\textquoteright}},
	booktitle = {H. M. Daleski -- In Memoriam},
	year = {2013},
	pages = {26-37},
	publisher = {The Israel Academy of Sciences and Humanities},
	organization = {The Israel Academy of Sciences and Humanities},
	address = {Ed. Ruth Nevo. Jerusalem}
}
@inbook {15026,
	title = {Minds Meeting: Bergson, Joyce, Nabokov, and the Aesthetics of the Subliminal},
	booktitle = {Understanding Bergson, Understanding Modernism},
	year = {2013},
	pages = {194-212},
	publisher = {Bloomsbury Academic},
	organization = {Bloomsbury Academic},
	address = {Ed. Paul Ardoin, S. E. Gontarski, and Laci Mattison. New York}
}
@inbook {15106,
	title = {Afterword (in Hebrew)},
	booktitle = {Thomas Hardy, The Mayor of Casterbridge, Hebrew translation by Oded Peled},
	year = {2012},
	pages = {313-20},
	publisher = {Carmel},
	organization = {Carmel},
	address = {Jerusalem}
}
@inbook {15025,
	title = {The Kindly Ones and the {\textquoteleft}Scorched-Earth{\textquoteright} Principle},
	booktitle = {Writing the Holocaust Today: Critical Perspectives on Jonathan Littell{\textquoteright}s The Kindly Ones},
	year = {2012},
	pages = {153-63},
	publisher = {Rodopi},
	organization = {Rodopi},
	address = {Ed. Aur{\'e}lie Barjonet and Liran Razinsky. Amsterdam}
}
@inbook {15024,
	title = {Folk Theodicy in Concentration Camps: Literary Representations},
	booktitle = {Knowledge and Pain},
	year = {2012},
	pages = {211-29},
	publisher = {Rodopi},
	organization = {Rodopi},
	address = {Ed. Esther Cohen, Leona Toker, Manuela Consonni, and Otniel Dror. Amsterdam}
}
@inbook {15023,
	title = {Introduction: In Despite},
	booktitle = {Knowledge and Pain},
	year = {2012},
	pages = {vii-xviii},
	publisher = {Rodopi},
	organization = {Rodopi},
	address = {Ed. Esther Cohen, Leona Toker, Manuela Consonni, and Otniel Dror. Amsterdam},
	author = {Leona Toker and Esther Cohen,}
}
@inbook {14970,
	title = {Name Change and Author Avatars in Primo Levi and Varlam Shalamov},
	booktitle = {Narrative, Interrupted: The Plotless, the Disturbing and the Trivial in Literature},
	year = {2012},
	pages = {227-37},
	publisher = {Walter de Gruyter},
	organization = {Walter de Gruyter},
	address = {Ed. Markku Lehtim{\"a}ki, Laura Karttunen, and Maria M{\"a}kel{\"a}. Berlin: }
}
@inbook {14969,
	title = {Within the Anti-Fascist Community: Ambivalences in Auden{\textquoteright}s {\textquoteleft}Spain{\textquoteright}},
	booktitle = {Literary Community-Making},
	year = {2012},
	pages = {185-200},
	publisher = {John Benjamins},
	organization = {John Benjamins},
	address = {Ed. Roger Sell. Amsterdam}
}
@inbook {15103,
	title = {Afterword (in Hebrew)},
	booktitle = {Charlotte Bront{\"e}, Villette. Hebrew translation by Sigal Adler},
	year = {2011},
	pages = {484-91},
	publisher = {Carmel},
	organization = {Carmel},
	address = {Jerusalem}
}
@inbook {14968,
	title = {Syntactics {\textemdash} Semantics {\textemdash} Pragmatics (Still Having One{\textquoteright}s Cake?)},
	booktitle = {Teaching Theory},
	year = {2011},
	publisher = {Palgrave Macmillan},
	organization = {Palgrave Macmillan},
	address = {Ed. Richard Bradford. Basingstoke}
}
@inbook {15101,
	title = {Afterword: On Limitations (in Hebrew)},
	booktitle = {Vladimir Nabokov, The Original of Laura, Hebrew Translation by Ronen Sonis},
	year = {2010},
	pages = {277-81},
	publisher = {Yediot Aharonot},
	organization = {Yediot Aharonot},
	address = {Tel Aviv}
}
@inbook {14965,
	title = {Making the Unthinkable Thinkable: Language Microhistory of Politburo Meetings},
	booktitle = {The Lost Politburo Transcripts: From Collective Rule to Stalin{\textquoteright}s Dictatorship},
	year = {2008},
	pages = {135-64},
	publisher = {Yale University Press},
	organization = {Yale University Press},
	address = {Ed. Paul R. Gregory and Norman Naimark. New Haven}
}
@inbook {14964,
	title = {Знаки и символы Варлама Шаламова},
	booktitle = {Paths in Art: Symbolism and European Culture in the 20th Century},
	year = {2008},
	pages = {380-90},
	publisher = {Vodolei},
	organization = {Vodolei},
	address = {Ed. D. M. Segal and N. M. Segal (Rudnik). Moscow}
}
@inbook {14966,
	title = {О торможении скандала в {\guillemotleft}Египетской марке{\guillemotright} Мандельштама},
	booktitle = {Семиотика скандала},
	year = {2008},
	pages = {334-44},
	publisher = {Evropa},
	organization = {Evropa},
	address = {Ed. Nora Buhks. Moscow}
}
@inbook {14962,
	title = {Being Read byLolita},
	booktitle = {Approaches to Teaching Nabokov{\textquoteright}s Lolita},
	year = {2008},
	pages = {152-57},
	publisher = {The Modern Language Association of America },
	organization = {The Modern Language Association of America },
	address = {Ed. Zoran Kuzmanovich and Galia Diment. New York}
}
@inbook {14960,
	title = {Nabokov{\textquoteright}s Style: Some Tools for Analysis},
	booktitle = {Nabokov: Un{\textquoteright}eredit{\`a} letteraria},
	year = {2007},
	pages = {37-48},
	publisher = {Ca{\textquoteright} Foscari University},
	organization = {Ca{\textquoteright} Foscari University},
	address = {Ed.Alide Cagidemetrio and Daniela Rizzi. Venice}
}
@inbook {14961,
	title = {Nuances of Judgment in the Stories of Shalamov (in Russian)},
	booktitle = {K stoletiu so dnia rozhdenia Varlama Shalamova  (Proceedings of the Shalamov Centennial Conference)},
	year = {2007},
	pages = {109-113}
}
@inbook {14959,
	title = {Testimony and Doubt: Varlam Shalamov{\textquoteright}s {\textquoteleft}How It Began{\textquoteright} and {\textquoteleft}Handwriting,{\textquoteright}},
	booktitle = {Real Stories: Imagined Realities: Fictionality and Non-fictionality in Literary Constructs and Historical Contexts},
	year = {2007},
	pages = {51-67},
	publisher = {Tampere University Press},
	organization = {Tampere University Press},
	address = {Ed. Markku Lehtim{\"a}ki, Simo Leisti and Marja Rytk{\"o}nen. Tampere}
}
@inbook {14956,
	title = {Fear and the Crowd: A Reconsideration of Some Motifs of Gulag Literature (in Russian)},
	booktitle = {Semiotika strakha},
	year = {2005},
	pages = {320-328},
	publisher = {Ruskii Institut?Evropa},
	organization = {Ruskii Institut?Evropa},
	address = {Ed. Nora Buhks and Francis Conte. Moscow},
	abstract = {Reprinted in K stoletiu so dnia rozhdenia Varlama Shalamova (Proceedings of the Shalamov Centennial Conference). Moscow, 2007, pp. 114{\textendash}24.}
}
@inbook {14958,
	title = {Nabokov{\textquoteright}s Worldview},
	booktitle = {The Cambridge Companion to Nabokov},
	year = {2005},
	pages = {232-47},
	publisher = {Cambridge University Press},
	organization = {Cambridge University Press},
	address = {Ed. Julian Connolly. Cambridge}
}
@inbook {15100,
	title = {Anatolii Kuznetsov},
	booktitle = {Dictionary of Literary Biography},
	volume = {299 (Holocaust Novelists)},
	year = {2004},
	pages = {195-200},
	publisher = {Bruccoli Clark Layman (Gale)},
	organization = {Bruccoli Clark Layman (Gale)},
	address = {Detroit}
}
@inbook {14955,
	title = {On the Legitimacy of Comparisons: The Gulag {\textquoteleft}Goner{\textquoteright} and the Auschwitz Muselmann(in Russian)},
	booktitle = {Jews and Slavs},
	volume = {14 },
	year = {2004},
	pages = {325-30},
	publisher = {Gesharim?Mosty kul{\textquoteright}ture},
	organization = {Gesharim?Mosty kul{\textquoteright}ture},
	address = {Festschrift for Professor Ilya Serman. Jerusalem/Moscow}
}
@inbook {14954,
	title = {Nabokov{\textquoteright}s Nikolai Gogol: Doing Things in Style},
	booktitle = {Nabokov at Cornell},
	year = {2003},
	pages = {136-47},
	publisher = {Cornell University Press},
	organization = {Cornell University Press},
	address = {Ed. G. Shapiro. Ithaca}
}
@inbook {14953,
	title = {Nabokov and Bergson on Duration and Reflexivity},
	booktitle = {Nabokov{\textquoteright}s World},
	volume = {I},
	year = {2002},
	pages = {132-40},
	publisher = {Palgrave},
	organization = {Palgrave},
	address = {Ed. Jane Grayson, Arnold McMillin and Priscilla Meyer. Basingstoke}
}
@inbook {15099,
	title = {Afterword (in Hebrew)},
	booktitle = {T. S. Coleridge, The Rhyme of the Ancient Mariner, Herbrew translation by Ruth Blumert},
	year = {2001},
	pages = {51-59},
	publisher = {Keshev},
	organization = {Keshev},
	address = {Tel Aviv}
}
@inbook {14952,
	title = {A Brief History of Ekwilism},
	booktitle = {Critical Interfaces: Contributions in Philosophy, Literature and Culture in Honour of Herbert Grabes},
	year = {2001},
	pages = {333-41},
	publisher = {Wissenschaflicher Verlag Trier},
	organization = {Wissenschaflicher Verlag Trier},
	address = {Ed. Gordon Collier, Klaus Schwank and Franz Wieselhuber. Trier}
}
@inbook {14951,
	title = {Kafka{\textquoteright}s {\textquoteleft}The Hunger Artist{\textquoteright} and Shalamov{\textquoteright}s {\textquoteleft}The Artist of the Spade{\textquoteright}: The Discourse of Lent},
	booktitle = {Cold Fusion: Aspects of the German Cultural Presence in Russia},
	year = {2000},
	pages = {277-91},
	publisher = {Berghahn Books},
	organization = {Berghahn Books},
	address = {Ed. Gennady Barabtarlo. New York},
	abstract = {Revised and reprinted, along with the translation (by N. Strazhas) of Shalamov{\textquoteright}s "The Artist of the Spade" in Towards the Ethics of Form in Fiction. Columbus: Ohio State University Press, 2010, pp. 179-190 and 191-201.}
}
@inbook {14950,
	title = {{\textquoteleft}The Dead Are Good Mixers{\textquoteright}: Nabokov{\textquoteright}s Version of Individualism},
	booktitle = {Nabokov and His Fiction: New Perspectives},
	year = {1999},
	pages = {92-108},
	publisher = {Cambridge University Press},
	organization = {Cambridge University Press},
	address = {Ed. Julian Connolly. Cambridge}
}
@inbook {14949,
	title = {Testimony as Art: Varlam Shalamov{\textquoteright}s {\textquoteleft}Condensed Milk{\textquoteright}},
	booktitle = {Critical Ethics: Text, Theory and Responsibility},
	year = {1999},
	pages = {241-56},
	publisher = {Macmillan},
	organization = {Macmillan},
	address = {Ed. Dominic Rainsford and Tim Woods. Basingstoke},
	abstract = {Reprinted in The Russian Twentieth Century Short Story: A Critical Companion. Ed. Lyudmila Parts. Brighton, MA: Academic Studies Press, 2010, pp. 185{\textendash}200.}
}
@inbook {14948,
	title = {Maule{\textquoteright}s Well and Its Metaphoric Echoes in Hawthorne{\textquoteright}s The House of the Seven Gables},
	booktitle = {Sounding the Depths: Water as Metaphor in North-American Literatures},
	year = {1998},
	pages = {35-44},
	publisher = {University of Liege Press},
	organization = {University of Liege Press},
	address = {Ed. Christine Raguet-Bouvart and Gayle Wurst. Liege}
}
@inbook {14947,
	title = {The Adventures of Jenny Jones: Fielding{\textquoteright}s {\textquoteleft}Fine Old Moralism{\textquoteright} Reconsidered},
	booktitle = {Rereading Texts / Rethinking Critical Presuppositions: Essays in Honour of H.M. Daleski},
	year = {1996},
	pages = {149-61},
	publisher = {Peter Lang},
	organization = {Peter Lang},
	address = {Ed. Shlomith Rimmon-Kenan, Leona Toker, and Shuli Barzilai. Frankfurt},
	abstract = {Revised version, "Oppositionality in Fielding{\textquoteright}s\&nbsp;Tom Jones," in\&nbsp;Towards the Ethics of Form in Fiction.\&nbsp;Columbus: Ohio State University Press, 2010, pp. 35-48.}
}
@inbook {14944,
	title = {Nabokov and Bergson},
	booktitle = {The Garland Companion to Nabokov},
	year = {1995},
	pages = {667-73},
	publisher = {Garland},
	organization = {Garland},
	address = {Ed. V. Alexandrov. New York}
}
@inbook {14945,
	title = {Repr{\'e}sentation de la crise dans l{\textquoteright}oeuvre de Nathaniel Hawthorne: Le Mode Carnivalesque, trans. Christine Raguet-Bouvart},
	booktitle = {{\'E}clats de voix: Crises en repr{\'e}sentation dans la litt{\'e}rat ure nord-am{\'e}ricaine},
	year = {1995},
	pages = {97-109},
	publisher = {Rumeur des Ages},
	organization = {Rumeur des Ages},
	address = {Ed. Christine Raguet-Bouvart. La Rochelle},
	abstract = {Revised English version, "Carnival and Crisis in Three Stories by Nathaniel Hawthorne," in Towards the Ethics of Form in Fiction. Columbus: Ohio State University Press,\&nbsp;2010, pp. 21-34.\&nbsp;}
}
@inbook {14946,
	title = {Versions of Job: Some Jewish Characters in the Stories of Varlam Shalamov},
	booktitle = {Jews and Slavs},
	volume = {4},
	year = {1995},
	pages = {253-66},
	publisher = {FPL},
	organization = {FPL},
	address = {Ed. W. Moskovich, S. Shwarzband, and A. Alekseev. Jerusalem}
}
@inbook {14942,
	title = {Documentary Prose and the Role of the Reader: Some Stories of Varlam Shalamov},
	booktitle = {Commitment in Reflection: Essays in Literature and Moral Philosophy},
	year = {1994},
	pages = {169-93},
	publisher = {Garland},
	organization = {Garland},
	address = {Ed. Leona Toker. New York}
}
@inbook {14941,
	title = {Introduction},
	booktitle = {Commitment in Reflection: Essays in Literature and Moral Philosophy},
	year = {1994},
	pages = {xi-xxxii},
	publisher = {Garland},
	organization = {Garland},
	address = {Ed. Leona Toker. New York}
}
@inbook {14939,
	title = {{\textquotedblleft}Signs and Symbols{\textquotedblright} in and out of Contexts},
	booktitle = {A Small Alpine Form: Studies in Nabokov{\textquoteright}s Short Fiction},
	year = {1993},
	pages = {167-80},
	publisher = {Garland},
	organization = {Garland},
	address = {Ed. Charles Nicol and Gennady Barabtarlo. New York},
	abstract = {Reprinted in\&nbsp;Anatomy of a Short Story, ed. Yuri Leving. London: Continuum, 2012, pp. 217-29.}
}
@inbook {14940,
	title = {Varlam Shalamov{\textquoteright}s Kolyma},
	booktitle = {Between Heaven and Hell: The Myth of Siberia in Russian Culture},
	year = {1993},
	pages = {151-69},
	publisher = {St. Martin{\textquoteright}s Press},
	organization = {St. Martin{\textquoteright}s Press},
	address = {Ed. Galya Diment and Yuri Slezkine. New York}
}
@inbook {14938,
	title = {Some Features of the Narrative Method in Solzhenitsyn{\textquoteright}s One Day in the Life of Ivan Denisovich},
	booktitle = {In Honour of Professor Victor Levin: Russian Philology and History},
	year = {1992},
	publisher = {Praedicta},
	organization = {Praedicta},
	address = {Ed. W. Moskovich, J. Frankel, I. Serman, and S. Shvarzband. Jerusalem},
	abstract = {Included, with some revision, in the 2000\&nbsp;Return from the Archipelago}
}
@inbook {15097,
	title = {Vladimir Nabokov},
	booktitle = {Ben{\'e}t{\textquoteright}s Reader{\textquoteright}s Encyclopedia of American Literature},
	year = {1991},
	pages = {747-50},
	publisher = {Harper-Collins},
	organization = {Harper-Collins},
	address = {Ed. George Perkins, Barbara Perkins, and Philip Leininger. New York}
}
@inbook {14937,
	title = {Ambiguities in Vladimir Nabokov{\textquoteright}s Invitation to a Beheading},
	booktitle = {Ambiguities in Literature and Film},
	year = {1988},
	pages = {95-103},
	publisher = {University Press of Florida},
	organization = {University Press of Florida},
	address = {Ed. Hans P. Braendlin. Tallahassee},
	abstract = {Included in the 1989\&nbsp;Nabokov: The Mystery of Literary Structures}
}
