@article {27655,
	title = {Individual and Cultural Trauma in Varlam Shalamov\&rsquo;s Narratives},
	journal = {Kwartalnik Neofilologiczny},
	volume = {71},
	number = {4},
	year = {2024},
	pages = {541-556},
	abstract = {Gulag-survivor narratives tend to combine individual and communal concerns, which are sometimes artistically amalgamated. The relationship between them can be further understood with the help of trauma studies, though the application of the concept of trauma to Gulag literature is not unproblematic. This paper focusses on signs of trauma in Shalamov{\textquoteright}s stories {\textquotedblleft}The Seizure{\textquotedblright}, {\textquotedblleft}On Tick{\textquotedblright}, and {\textquotedblleft}The First Tooth{\textquotedblright}, the latter showing how individual trauma blends with collective/cultural trauma associated with the loss of confidence in communal identity. These are versions of the cultural trauma of Russian intelligentsia, stemming from enforced departures from its humanistic ideals.},
	url = {DOI: 10.24425/kn.2024.154210 },
	author = {Leona Toker}
}
@article {27545,
	title = {טופוס ספרותי כגשר בין עולמות},
	journal = {איגרת: האקדמיה הלאומית הישראלית למדעים },
	volume = {46},
	year = {2024},
	pages = {36-43},
	author = {Leona Toker}
}
@article {27474,
	title = {The Theme of Poetry Recital in Concentration-Camp Literature: Shalamov, Sempr{\'u}n, and Other Witnesses},
	journal = {Konteksty Kultury },
	volume = {21},
	number = {2},
	year = {2024},
	pages = {123-139},
	abstract = {A recurrent theme of narratives by concentration-camp survivors is reciting poetry. For intellectuals in the camps, reciting verses was an aid to survival, aloophole of mental freedom, available only when the prisoners were not being driven to depletion at {\textquotedblleft}general works.{\textquotedblright} Poetry also facilitated genuine human contact, helped the prisoners inscribe themselves into specific historical and cultural traditions, and re-mediated the verses that belonged to those traditions. The latter function of poetry recital was operative not only during the imprisonments but also during the composition of the narratives after the liberation: the memoirists not only found meanings in the cultural traditions on which their sense of identity depended but also helped to maintain these traditions for their own sake.},
	url = {doi: 10.4467/23531991KK.24.014.20268},
	author = {Leona Toker}
}
@article {27438,
	title = {\&quot;In Collaboration with the Author\&quot;: Some Traces of Self-Translation in Nabokov\&$\#$39;s Short Stories},
	journal = {Nabokov Studies},
	volume = {19},
	year = {2024},
	pages = {81-86},
	abstract = {Vladimir Nabokov{\textquoteright}s pre-war Russian language short stories were translated into English, whether by his son Dmitri or by others, but, in the novelist{\textquoteright}s lifetime, always "in collaboration with the author." The extent of this collaboration sometimes amounts to self-translation, that is, not to\&nbsp;improving\&nbsp;the text but to\&nbsp;changing\&nbsp;its details, the way a translator has no right to do while the author is entitled to revisions. Most often such changes were made in the awareness of the horizons of the new audience; but they also reflect modified attitudes to the material and suggest which meanings it was important for Nabokov to emphasize and which it was important for him to preclude. We discuss such traces of self-translation in three of Nabokov{\textquoteright}s short stories, "Torpid Smoke," "Details of a Sunset," and "Spring in Fialta."},
	url = {https://muse.jhu.edu/pub/40/article/937384/pdf?casa_token=eD8BJbThkSUAAAAA:-Jr0WDcGleSvXjokA2Eq9KtsnefFZxNQlFOhOXluHx07l34-M2aQPrcGbxDFgt7nzEVOiCZppA},
	author = {Leona Toker and Maria Emeliyanova}
}
@article {27437,
	title = {Stanislav Aseyev, The Torture Camp on Paradise Street},
	journal = {Slavic Review},
	volume = {83},
	number = {1},
	year = {2024},
	pages = {173-174},
	abstract = {Book review},
	url = {https://doi.org/10.1017/slr.2024.363  },
	author = {Leona Toker}
}
@article {27391,
	title = {Primo Levi\&rsquo;s \&lsquo;The Last One\&rsquo;: A Possible Context},
	journal = {ANQ: : A Quarterly Journal of Short Articles, Notes and Reviews},
	year = {2024},
	url = {https://leonatoker.huji.ac.il/user/reset/1353/1723302393/WNtBuW_t2yl3zVmrFDo05G14a7A2moz1-pddlSZdm4w},
	author = {Leona Toker}
}
@article {27383,
	title = {Figures of Discourse in Prose Fiction},
	journal = {Frontiers of Narrative Studies},
	volume = {10},
	number = {1},
	year = {2024},
	pages = {1-15},
	abstract = {The essay demonstrates the relationship between specific figures of discourse dominant in particular novels and the thematic concerns or plot patterns of each individual novel. The figures discussed are (1) enthymeme, prominent in Laurence Sterne{\textquoteright}s Tristram Shandy and important also in Joyce{\textquoteright}s Ulysses; (2) hypallage, part of the rhetoric of Dickens{\textquoteright}s A Tale of Two Cities, reflecting its plot pattern and its cluster of concerns; and (3) blazon, which helps to convey the implied author{\textquoteright}s critique of the attitudes of the first-person narrator of Lolita.},
	url = {https://doi.org/10.1515/fns-2024-2001.},
	author = {Leona Toker}
}
@article {27393,
	title = {Выигравшие лотерею: Сталинский период в воспоминаниях современников-свидетелей (Winners of the Lottery: The Stalin Period in the Memoirs of Contemporaries)},
	journal = {AvtobiografiЯ},
	volume = {12},
	year = {2023},
	pages = {17-58},
	abstract = {The article deals with the ways in which the memoirs of Il{\textquoteright}ia Ehrenburg, Nadezhda Mandelstam, Emma Gershtein, and Raisa Orlova testify to their authors{\textquoteright} life during the Stalinist terror and to the fates of their contemporaries who fell victim to persecutions. Ehrenburg compared his having avoided arrest during the years of terror to having drawn a lucky lottery ticket: indeed, though each of the four memoirists took various measures to escape repres-sions, a great deal depended on sheer luck. Nevertheless, there was also the authors{\textquoteright}\&nbsp; partial concurrence\&nbsp;with the ide-ology of the Soviet system. These are issues that Lidiia Ginzburg called {\textquoteleft}areas of identification{\textquoteright} or {\textquoteleft}points of compatibility{\textquoteright}, that is, aspects of the Soviet reality with which even the criticsof the regime consented, feeling a genuine inner need to cultivate such consent.},
	url = {https://www.avtobiografija.com/index.php/avtobiografija/article/view/318/284},
	author = {Leona Toker}
}
@article {27238,
	title = {The Necessary Dead: A New Literary Topos},
	journal = {Parallax},
	volume = {29},
	number = {1},
	year = {2023},
	pages = {14-31},
	author = {Leona Toker}
}
@article {27194,
	title = {The Exile\&$\#$39;s Joy},
	journal = {Nabokov Online Journal },
	volume = {17},
	year = {2023},
	url = {Toker_The Exile{\textquoteright}s Joy (nabokovonline.com) },
	author = {Leona Toker}
}
@article {26977,
	title = {Anatoly Kuznetsov, Author of Babi Yar: The History of the Book and the Fate of the Author},
	journal = {Eastern European Holocaust Studies},
	volume = {1},
	year = {2023},
	abstract = {This Introduction to the special issue devoted to Anatoly Kuznetsov, author of\&nbsp;Babi Yar: A Document in\&nbsp;the Form of a Novel, dwells on the different aspects of the book{\textquoteright}s importance, surveys the life of the author as intertwined with the history of this book, suggests a way of reading his other work in the light of Babi Yar, and notes the contributions of the articles collected in this issue.},
	url = {https://www.degruyter.com/document/doi/10.1515/eehs-2023-0020/html},
	author = {Leona Toker}
}
@article {26778,
	title = {Direct Speech in Conrad\&rsquo;s A Personal Record},
	journal = {The Conradian},
	volume = {47},
	number = {2},
	year = {2022},
	pages = {67-81},
	abstract = {In order to maintain the factographic pact with the reader, in non-fiction narratives the authors tend to refrain from relying on the {\textquotedblleft}perfect-memory convention.{\textquotedblright} In particular, memoirs (prominently including Conrad{\textquoteright}s narratives) tend to avoid detailed prolonged dialogues, and direct speech in them usually takes the form of memorable phrases or statements (sound bites) that are supposed to have engraved themselves in the author{\textquoteright}s memory. In Conrad{\textquoteright}s autobiographical works this tendency is complicated by the fact that some of the sound-bites are translations from other languages (hence with a touch of fictionalization, enhanced by an occasional withholding of names and other verification landmarks). Yet the more extensive use of direct speech in Conrad{\textquoteright}s\&nbsp;A Personal Record\&nbsp;may be associated with specific artistic goals or else with the author{\textquoteright}s keen awareness of touches of fictionalization.},
	author = {Leona Toker}
}
@article {26631,
	title = {Partial Answers Is 20 Years Old!},
	journal = {Partial Answers},
	volume = {20},
	number = {2},
	year = {2022},
	pages = {187-190},
	abstract = {Introduction to the anniversary issue of\&nbsp;Partial Answers},
	url = {https://muse.jhu.edu/article/856131/}
}
@article {26296,
	title = {Success Is a Private Matter: Nabokov\&$\#$39;s Christmas Stories},
	journal = {Neophilologus},
	number = {106},
	year = {2022},
	pages = {349-361},
	abstract = {In the 1920s, during his {\'e}migr{\'e} life in interbellum Berlin, Vladimir Nabokov wrote a number of Christmas stories. These stories{\textemdash}{\textquotedblleft}Christmas,{\textquotedblright} {\textquotedblleft}The Christmas Story,{\textquotedblright} and {\textquotedblleft}A Reunion{\textquotedblright}{\textemdash}were all composed and published at Christmastime and set on the eve of Russian Christmas (first week of January). While involving the traditional motifs of the Christmas-story genre, such as the combination of joy and sorrow as well as the motifs of epiphany, gift, care, and forgiveness, these narratives expand the scope of the genre to represent not communal religious values but a private ethical stance. The purity of commitments emerges as a criterion for successful inner life. The gifts are usually the gifts of the memory, cherished in {\textquotedblleft}Christmas{\textquotedblright} and {\textquotedblleft}A Reunion,{\textquotedblright} and forfeited in {\textquotedblleft}The Christmas Story,{\textquotedblright} as well as in a counter-story, {\textquotedblleft}A Matter of Chance,{\textquotedblright} which was also written at Christmas time but set August and published with half a year{\textquoteright}s delay.},
	url = {https://link.springer.com/article/10.1007/s11061-021-09712-7},
	author = {Leona Toker}
}
@article {25777,
	title = {Paralipsis and Intention(ality)},
	journal = {Neohelicon},
	year = {2021},
	abstract = {When G{\'e}rard Genette drew the distinction between {\textquotedblleft}voice{\textquotedblright} and {\textquotedblleft}focus{\textquotedblright} in narrative, he pointed to two kinds of deviation from the monitoring of narrative details based on focalization. One is {\textquotedblleft}paralepsis,{\textquotedblright} that is, giving the reader more information than is available to the focal character; the other is {\textquotedblleft}paralipsis{\textquotedblright} {\textendash} giving the reader less information than the focal character possesses. This paper suggests that the content of paralipsis {\textendash} what the focal character knows but the reader is not told {\textendash} is often the intentions and concrete plans of the focal character. The paper discusses the ending of Charles Dickens{\textquoteright}s A Tale of Two Cities (1959) as a paradigmatic case: the precise intentions of Sydney Carton are not disclosed to the reader; the second reading is therefore qualitatively different from the first reading; and the intentions of the author (the implied author or even the historical author) for this temporary gap invite interpretation and raise the issue of the reasons and the causes for this feature of the narrative as a communicative act.},
	url = {http://link.springer.com/article/10.1007/s11059-021-00588-9},
	author = {Leona Toker}
}
@article {25681,
	title = {Literary Stereography: Nabokov Drawing and Reading Maps},
	journal = {Partial Answers},
	volume = {19},
	number = {2},
	year = {2021},
	pages = {361-369},
	abstract = {\&nbsp;According to Vladimir Nabokov, exactness of detail in the composition and the reading of literary texts can yield {\textquotedblleft}the sensual spark without which the book is dead{\textquotedblright}: one needs, for instance, to understand the topography of Mansfield Park in order to respond to Austen{\textquoteright}s {\textquotedblleft}stereographic charm.{\textquotedblright} Speaking after Stuart Gilbert{\textquoteright}s chart of the episodes of Joyce{\textquoteright}s Ulysses but before Gifford and Seidman{\textquoteright}s maps in Ulysses Annotated, Nabokov protested against {\textquotedblleft}the pretentious nonsense of Homeric, chromatic, and visceral chapter headings{\textquotedblright} and advised careful readers to {\textquotedblleft}prepare maps of Dublin with Bloom{\textquoteright}s and Stephen{\textquoteright}s intertwining itineraries clearly traced.{\textquotedblright} Nabokov himself draws maps in his (posthumously published) lecture notes of the 1950s. This paper comments on the {\textquotedblleft}stereographic{\textquotedblright} implications of his maps and then turns to Nabokov{\textquoteright}s biography of Pushkin{\textquoteright}s African great grandfather. Studying the possible origins of Abram Gannibal, Nabokov reads maps of Ethiopia. Though his essay is largely a matter of the critique of sources, the course of Ethiopian river-beds seems to give him {\textquotedblleft}the sensual spark{\textquotedblright} which, despite his vexed insistence on the literal in Ulysses, follows Joyce{\textquoteright}s novel in understated transmutation of stereographic detail into symbolism.\&nbsp;\&nbsp;},
	url = {https://muse.jhu.edu/article/794661/summary},
	author = {Leona Toker}
}
@article {25346,
	title = {Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy, by Monika Fludernik},
	journal = {Partial Answers},
	volume = {19},
	number = {1},
	year = {2021},
	pages = {192-196},
	abstract = {book review},
	url = {https://muse.jhu.edu/article/779891/summary},
	author = {Leona Toker}
}
@article {25214,
	title = {Richard Tempest, Overwriting Chaos: Aleksandr Solzhenitsyn\&rsquo;s Fictive Worlds.},
	journal = {The Russian Review},
	volume = {79},
	number = {4},
	year = {2020},
	pages = {665-666},
	abstract = {Book review},
	author = {Leona Toker}
}
@article {25125,
	title = {Irina Astashkevich, Gendered Violence: Jewish Women in the Pogroms of 1917 to 1921},
	journal = {Antisemitism Studies},
	volume = {4},
	number = {2},
	year = {2020},
	pages = {403-407},
	abstract = {book review},
	author = {Leona Toker}
}
@article {25045,
	title = {\&quot;Bruised Fists\&quot;: A Shift of Values in Nabokov\&$\#$39;s Fiction in the Late 1930s},
	journal = {Krug: Journal of the Vladimir Nabokov Society of Japan},
	volume = {12},
	year = {2020},
	pages = {1-20},
	abstract = {\&nbsp;The work of writers in exile is generally expected to display the theme of nostalgia and the techniques of defamiliarization. It is seldom noted that the experience of a young emigrant is sometimes characterized by bouts of overwhelming poignant happiness, of joy yielded by the senses in response to the natural or even urban scenes. This happiness, against the background of a near-sublime self-sufficiency, is a distinctive feature of Nabokov{\textquoteright}s experience of the twenties, despite the painful blows that he received; it is a recurrent theme in his poetry, fiction, and letters. By the late 1930s, for a variety of personal and political reasons, the waves of joy become rare. Instead, Nabokov{\textquoteright}s other capacities deepen and gain further development, a modified axiology partly replacing the youthful happiness or compensating for the infrequency of its returns. This paper is devoted to the shift of emphases in Nabokov{\textquoteright}s poetics and his thematic concerns after he could no longer base his eschatology on a recurrent experience of joyful oneness with the world.\&nbsp; \&nbsp;\&nbsp;\&nbsp;},
	author = {Leona Toker}
}
@article {24909,
	title = {Nezakonnaia kometa. Varlam Shalamov: Opyt medlennoto chteniya, by Elena Mikhailik},
	journal = {Slavic Review},
	volume = {79},
	number = {2},
	year = {2020},
	pages = {485-486},
	abstract = {book review},
	author = {Leona Toker}
}
@article {24815,
	title = {Solzhenitsyn, Aleksandr. The Red Wheel. Node III: March 1917, Book 2 (book review)},
	journal = {The Russian Review},
	volume = {70},
	number = {3},
	year = {2020},
	pages = {487-488},
	abstract = {book review},
	author = {Leona Toker}
}
@article {24518,
	title = {Cultural Remission, Factographic Literature and Ethical Criticism: An Interview with Leona Toker},
	journal = {Interdisciplinary Studies of Literature },
	volume = {4},
	number = {1},
	year = {2020},
	pages = {1-18},
	abstract = {In December 2019, Ms. Lan Yun interviewed Leona Toker during her academic visit to Shanghai Jiao Tong University. In this interview, Toker approaches the concept of cultural remission and Gulag and Holocaust literature from an ethical perspective, exploring the complex relationship between literary forms and their ethical consequences. She claims that ethical criticism is coming back in new ways and that analysis of the ethics of form may take over from that of the ethics of character behavior as a potential orientation for future studies.},
	author = {Lan Yun and Leona Toker}
}
@article {24243,
	title = {Review of Nabokov and Indeterminacy: The Case of the Real Life of Sebastian Knight, by Priscilla Meyer},
	journal = {Partial Answers},
	volume = {18},
	number = {1},
	year = {2020},
	pages = {182-85},
	url = {https://muse.jhu.edu/article/745029/summary},
	author = {Leona Toker}
}
@article {23559,
	title = {Testimony and Fictionality in Georgy Demidov\&$\#$39;s Gulag Stories},
	journal = {Partial Answers},
	volume = {17},
	number = {2},
	year = {2019},
	pages = {299-318},
	url = {https://muse.jhu.edu/article/726397}
}
@article {23558,
	title = {Literature as Time\&$\#$39;s Witness: Special Issue in Honor of Jakob Lothe. Introduction.},
	journal = {Partial Answers},
	volume = {17},
	number = {2},
	year = {2019},
	pages = {195-200},
	url = {https://muse.jhu.edu/article/726391},
	author = {Leona Toker and Hawthorn, Jeremy}
}
@article {22865,
	title = {Literary Reflections of Elitocide: Georgy Demidov and Precursors},
	journal = {Verbeia},
	volume = {3},
	year = {2019},
	month = {Nov. 2019},
	pages = {83-105},
	abstract = {\&nbsp;Whereas the killing of the elites, whether as part of genocide, as a bid for enslavement of a community, or as an expression of a social ressentiment, dates back to ancient times, it is owing to the atrocities of the twentieth century that histories of elitocide assembled the critical mass for the concept to emerge. This paper is devoted to literary reflections of elitocide, many of which can likewise be recognized as such only after the phenomenon itself has crystallized in collective memory. Literary treatments of the issue of elitocide includes works by Dostoevsky (The Devils), H. G. Wells (The Time Machine), and Nabokov (Bend Sinister), but my main example is the theme of the destruction of the most talented in the Gulag stories by Georgy Demidov.\&nbsp;},
	url = {https://journals.ucjc.edu/VREF/article/view/4133/3025}
}
@article {22717,
	title = {\&quot;On Two of the Lolitas\&quot; (in Hebrew)},
	journal = {Dokhak},
	volume = {9},
	year = {2018},
	pages = {191-96},
	abstract = {Afterword to Dorothy Parker, "Lolita," trans. Aviad Stir.}
}
@article {15066,
	title = {Review of Julie Hansen and Andrei Rogachevskii, eds., Punishment as a Crime? Perspectives on Prison Experience in Russian Culture},
	journal = {Slavic Review},
	volume = {75},
	number = {2},
	year = {2016},
	pages = {529-30}
}
@article {14172,
	title = {Playgrounds},
	journal = {Style},
	volume = {50},
	number = {4},
	year = {2016},
	pages = {489-92}
}
@article {14173,
	title = {Representation of Forced Labor in Shalamov{\textquoteright}s {\textquoteright}Wheelbarrow I{\textquoteright} and "Wheelbarrow II{\textquoteright}},
	journal = {M{\'e}moires en jeu / Memories at Stake },
	volume = {1},
	number = {1},
	year = {2016},
	pages = {77-85}
}
@article {15064,
	title = {Review of Anna Colin Lebedev, Le coeur politique des meres: Analyse du mouvement des meres de soldats en Russie},
	journal = {Slavic Review},
	volume = {74},
	number = {1},
	year = {2015},
	pages = {201-202}
}
@article {15065,
	title = {Review of Christa Sch{\"o}nfelder, Wounds and Words: Childhood and Family Trauma in Romantic and Postmodern Fiction},
	journal = {Style},
	volume = {49},
	number = {2},
	year = {2015},
	pages = {240-43}
}
@article {14554,
	title = {Hypallage and the Literalization of Metaphors in a Dickens Text},
	journal = {Style},
	volume = {49},
	number = {2},
	year = {2015},
	pages = {113-25}
}
@article {14555,
	title = {{\textquoteleft}Khaki Hamlets Don{\textquoteright}t Hesitate{\textquoteright}: A Semiological Reading of References to the Boer War and Concentration Camps in Joyce{\textquoteright}s Ulysses},
	journal = {Journal of Modern Literature},
	volume = {38},
	number = {2},
	year = {2015},
	pages = {45-58},
	abstract = {\&nbsp;Information about the early history of concentration camps can shed light on the meaning of Stephen Dedalus{\textquoteright}s reference to {\textquotedblleft}concentration camps sung by Mr. Swinburne{\textquotedblright} in the library episode of Joyce{\textquoteright}s Ulysses. Having made their way into the text, external references enter an array of relationships with other narrative details of the novel. The semiological model of literary analysis can help us in balancing attention to the properties of the text and to contextual information, in choosing the relevant data for analysis, avoiding detours in pedagogical practice, and remaining alert to the ways in which the text refracts historical realities and provides a comment on them. The comment of Ulysses on concentration camps has a prophetic quality.\&nbsp;},
	url = {http://www.jstor.org/stable/10.2979/jmodelite.38.2.45?seq=1$\#$page_scan_tab_contents}
}
@article {14553,
	title = {P{\'e}riodisation et contextualisation de la litt{\'e}rature sovi{\'e}tique sur la Shoah},
	journal = {Fabula: La recherch{\'e} en litt{\'e}rature},
	number = {Oct. 29},
	year = {2015},
	url = {http://www.fabula.org/colloques/document2867.php}
}
@article {15061,
	title = {Review of Alvin H. Rosenfeld, ed.,Resurgent Antisemitism: Global Perspectives},
	journal = {Modern Judaism},
	number = {doi: 10.1093/mj/kju004 },
	year = {2014}
}
@article {15062,
	title = {Review of Annie Epelboin and Assia Kovriguina,La litt{\'e}rature des ravins: {\'E}crire sur la Shoah en URSS},
	journal = {Slavic Review},
	volume = {72},
	number = {2},
	year = {2014},
	pages = {433-34}
}
@article {14630,
	title = {On Robert Chandler{\textquoteright}s Translations of Shalamov{\textquoteright}s Poetry},
	journal = {Toronto Slavic Quarterly},
	volume = {47},
	number = {Winter},
	year = {2014},
	pages = {368-77},
	abstract = {Russian version, trans. Sergei Agishev on the shalamov.ru site},
	url = {http://sites.utoronto.ca/tsq/47/tsq47_toker.pdf}
}
@article {14556,
	title = {Love Conquers All: Introduction to the Forum {\textquoteright}The Novel and Theories of Love{\textquoteright}},
	journal = {Partial Answers},
	volume = {12},
	number = {2},
	year = {2014},
	pages = {251-54},
	url = {https://muse.jhu.edu/article/547244}
}
@article {14632,
	title = {Between Dystopia and Allohistory: The Ending of Roth{\textquoteright}s The Plot Against America},
	journal = {Philip Roth Studies},
	volume = {9},
	number = {1},
	year = {2013},
	pages = {41-50},
	url = {https://muse.jhu.edu/article/502684}
}
@article {14631,
	title = {On the Eve of the Moratorium: The Representation of the Holocaust in Ilya Ehrenburg{\textquoteright}s Novel The Storm},
	journal = {Search and Research: Yad Vashem Lectures and Papers},
	volume = {19},
	year = {2013},
	pages = {37-56},
	url = {http://secure.yadvashem.org/store/product.asp?productid=628}
}
@article {15057,
	title = {Review ofThomas Karshan, Vladimir Nabokov and the Art of Play},
	journal = {NOJ (Nabokov On-Line Journal)},
	number = {6},
	year = {2012}
}
@article {14861,
	title = {Thickening the Description: A Response to John J. Reed and Efraim Sicher},
	journal = {Connotations},
	volume = {21},
	number = {1},
	year = {2012},
	pages = {46-54}
}
@article {15056,
	title = {Barbara Wyllie, Vladimir Nabokov},
	journal = {SEER (Slavonic and East European Review)},
	volume = {89},
	number = {4},
	year = {2011},
	pages = {726-29}
}
@article {15059,
	title = {Review of David Herman, Brian McHale, and James Phelan, eds. Teaching Narrative Theory},
	journal = {symploke},
	volume = {19},
	number = {1-2},
	year = {2011},
	pages = {397-99}
}
@article {15058,
	title = {Review ofJehanne M. Gheith and Katherine R. Jolluck, eds. Gulag Voices: Oral Histories of Soviet Incarceration and Exile},
	journal = {Gulag Studies},
	volume = {4},
	year = {2011},
	pages = {133-38}
}
@article {14862,
	title = {Intermental Units from the Perspective of the Semiological Model},
	journal = {Style},
	volume = {45},
	number = {2},
	year = {2011},
	pages = {344-48}
}
@article {14863,
	title = {Introduction: Uneasy Pleasures},
	journal = {Partial Answers},
	volume = {9},
	number = {2},
	year = {2011},
	pages = {211-17}
}
@article {15102,
	title = {Ilia Zakharovic Serman (1913-2010)},
	journal = {Toronto Slavic Quarterly},
	number = {33},
	year = {2010},
	pages = {534-36}
}
@article {15054,
	title = {Review of Colin Jones, Josephine McDonagh and Jon Mee, eds., Charles Dickens, A Tale of Two Cities and the French Revolution},
	journal = {Dickens Quarterly},
	volume = {27},
	number = {2},
	year = {2010},
	pages = {154-57}
}
@article {15055,
	title = {Review ofGene A. Plunka, Holocaust Drama: The Theater of Atrocity},
	journal = {Recherche Litt{\'e}raire / Literary Research},
	volume = {26},
	number = {Summer},
	year = {2010},
	pages = {102-104}
}
@article {14967,
	title = {Literary Texts and Archival Documents: Between Elision and Allusion},
	journal = {Gulag Studies},
	volume = {2-3},
	year = {2010},
	pages = {55-67},
	abstract = {Earlier Version:\&nbsp;{\textquotedblleft}Textes litt{\'e}raires et documents d{\textquoteright}archives: entre {\'e}lision et allusion.{\textquotedblright} In Le Goulag en heritage: Pour une anthropologie de la trace. Ed. Elisabeth Anstett and Luba Jurgenson. Paris: {\'E}ditions P{\'e}tra, 2009, pp. 89{\textendash}99. A slightly revised Russian Version, {\textquotedblleft}Литература и документ: Опыт взаимопрочтения,{\textquotedblright} in Варлам Шаламов в контексте мировой литерптуры и Советской Истории, ed. S. M. Soloviev. Moscow: Litera, 2013, pp. 103-10.}
}
@article {15053,
	title = {Review of Leland de la Durantaye, Style Is Matter: The Moral Art of Vladimir Nabokov},
	journal = {The Slavonic and East European Review (SEER)},
	volume = {87},
	number = {3},
	year = {2009},
	pages = {535-37}
}
@article {15052,
	title = {{\textquotedblleft}Three on Autobiography{\textquotedblright}},
	journal = {Partial Answers},
	volume = {7},
	number = {2},
	year = {2009},
	pages = {343-48}
}
@article {14864,
	title = {Introduction: An Eyewitness, a Pier},
	journal = {Partial Answers},
	volume = {7},
	number = {2},
	year = {2009},
	pages = {163-67}
}
@article {14957,
	title = {Belated Gulag Memoirs: Amending Contexts},
	journal = {Gulag Studies},
	volume = {1},
	year = {2008},
	pages = {1-26},
	abstract = {An earlier version published as {\textquotedblleft}Les m{\'e}moires tardifs du Goulag ou l{\textquoteright}amendement de contexts historiques.{\textquotedblright} Trans. Peter Henninger et Marielle Silhouette. In M{\'e}moires du Goulag: D{\'e}port{\'e}s politiques europ{\'e}ens en URSS, ed. Anne-Marie Pailh{\`e}s. Paris: Le Manuscript, 2004, pp. 97{\textendash}129.}
}
@article {14867,
	title = {Reader Response and the Recycling of Topoi in Kazuo Ishiguro{\textquoteright}s Never Let Me Go},
	journal = {Partial Answers},
	volume = {6},
	number = {1},
	year = {2008},
	pages = {163-80},
	author = {Leona Toker and Daniel Chertoff}
}
@article {14866,
	title = {Samizdat and the Problem of Authorial Control: The Case of Varlam Shalamov},
	journal = {Poetics Today},
	volume = {29},
	number = {4},
	year = {2008},
	pages = {735-58}
}
@article {14872,
	title = {The Semiological Model in the Teaching of Literature: Discussing the Title of Austen{\textquoteright}s Mansfield Park},
	journal = {Literatura},
	volume = {50},
	number = {5},
	year = {2008},
	pages = {91-97},
	url = {http://www.literatura.flf.vu.lt/wp-content/uploads/2012/03/Lit_50_5_91-97.pdf}
}
@article {14865,
	title = {A Text within a Text: Fyodor Tumansky{\textquoteright}s "Bird" in Varlam Shalamov{\textquoteright}s Story "Handwriting" (in Russian)},
	journal = {Slavic Almanach},
	volume = {14},
	number = {2},
	year = {2008},
	pages = {138-51},
	author = {Edward Waysband and Leona Toker}
}
@article {14868,
	title = {Decadence and Regeneration in Dickens{\textquoteright}s Our Mutual Friend},
	journal = {Connotations},
	volume = {16},
	number = {1-3},
	year = {2007},
	pages = {47-59}
}
@article {14869,
	title = {Nicholas Nickleby and the Discourse of Lent},
	journal = {Dickens Studies Annual: Essays on Victorian Fiction},
	volume = {38},
	year = {2007},
	pages = {19-33}
}
@article {15051,
	title = {Review ofThe Ethics of Life-Writing, ed. Paul John Eakin},
	journal = {Partial Answers},
	volume = {4},
	number = {1},
	year = {2006},
	pages = {205-208}
}
@article {14870,
	title = {Introduction: Tribute to Shlomith Rimmon-Kenan},
	journal = {Literature and Medicine},
	volume = {25},
	number = {1},
	year = {2006},
	pages = {93-94}
}
@article {14871,
	title = {Narrative Enthymeme {\textendash} the Examples of Sterne and Joyce},
	journal = {Partial Answers},
	volume = {4},
	number = {2},
	year = {2006},
	pages = {163-74}
}
@article {15049,
	title = {Leont{\textquoteright}ev, Ia and M. Iunge, comps. Vsesoiuznoe obshchestvo politkatorzhan i ssyl{\textquoteright}noposelentsev: Obrazovanie, razvitie, likvidatsiia, 1921-1935},
	journal = {Russian Review},
	volume = {64},
	number = {4},
	year = {2005},
	pages = {706-707}
}
@article {15050,
	title = {Review of {\textquotedblleft}S-21: The Khmer Rouge Killing Machine.{\textquotedblright} Directed by Rithy Panh},
	journal = {American Historical Review},
	volume = {111},
	number = {5},
	year = {2005},
	pages = {1508-1509}
}
@article {14879,
	title = {Target Audience, Hurdle Audience, and the General Reader: Varlam Shalamov{\textquoteright}s Art of Testimony},
	journal = {Poetics Today},
	volume = {26},
	number = {2},
	year = {2005},
	pages = {281-303}
}
@article {15048,
	title = {Review ofDonald T. Critchlow and Agnieszka Critchlow, eds. Enemies of the State: Personal Stories from the Gulag; Janusz Bardach and Kathleen Gleeson, Surviving Freedom: After the Gulag},
	journal = {Russian Review},
	volume = {63},
	number = {2},
	year = {2004},
	pages = {354}
}
@article {14881,
	title = {Love, That Four-Letter Word: A Response to Amanpal Garcha},
	journal = {Connotations},
	volume = {13},
	number = {1-2},
	year = {2004},
	pages = {105-110}
}
@article {14880,
	title = {Vocation and Sympathy in Daniel Deronda: The Self and the Larger Whole},
	journal = {Victorian Literature and Culture},
	volume = {32},
	number = {2},
	year = {2004},
	pages = {565-74}
}
@article {15046,
	title = {Review ofRichard Freadman, Threads of Life: Autobiography and the Will},
	journal = {Partial Answers},
	volume = {1},
	number = {2},
	year = {2003},
	pages = {168-72}
}
@article {14882,
	title = {Conspicuous Leisure and Invidious Sexuality in Jane Austen{\textquoteright}s Mansfield Park},
	journal = {Connotations},
	volume = {11},
	number = {2-3},
	year = {2002},
	pages = {222-40},
	abstract = {Reprinted, with some revision, in\&nbsp;Towards the Ethics of Form in Fiction}
}
@article {15044,
	title = {Review of Adam Weiner,By Authors Possessed: The Demonic Novel in Russia},
	journal = {Slavic Review},
	volume = {59},
	number = {1},
	year = {2000},
	pages = {241-42}
}
@article {15042,
	title = {Review of Galya Diment,Pniniad: Vladimir Nabokov and Marc Sceftel},
	journal = {ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews},
	volume = {13},
	year = {2000},
	pages = {69-71}
}
@article {14901,
	title = {The Reversal of the Public and the Private in Tertz/Siniavsky{\textquoteright}s Goodnight!},
	journal = {Slavic Almanach},
	volume = {6},
	year = {2000},
	pages = {84-97}
}
@article {14902,
	title = {W. B. Yeats{\textquoteright}s {\textquotedblleft}A Prayer for My Daughter{\textquotedblright}: Ironies of the Patriarchal Stance},
	journal = {Connotations},
	volume = {9},
	number = {1},
	year = {2000},
	pages = {100-110}
}
@article {14883,
	title = {The Private Domain and the Domain of Limited Access in Nabokov{\textquoteright}s Autobiography (in Russian)},
	journal = {R{\'e}vue des {\'E}tudes Slaves},
	volume = {72},
	number = {3-4},
	year = {2000},
	pages = {415-21}
}
@article {15043,
	title = {Review of Julian W. Connolly, ed., Nabokov{\textquoteright}s {\textquotedblleft}Invitation to a Beheading{\textquotedblright}: A Critical Companion, and Gavriel Shapiro, Delicate Markers: Subtexts in Vladimir Nabokov{\textquoteright}s Invitation to a Beheading},
	journal = {Russian Review},
	volume = {58},
	number = {4},
	year = {1999},
	pages = {691-93}
}
@article {14903,
	title = {Veblen, Dickens, and Martin Chuzzlewit{\textquoteright}s America},
	journal = {Dickens Quarterly},
	volume = {15},
	number = {3},
	year = {1998},
	pages = {147-57}
}
@article {14904,
	title = {Wordsworth{\textquoteright}s {\textquotedblleft}Tintern Abbey{\textquotedblright}: From Self-Consciousness to Sympathy},
	journal = {Connotations},
	volume = {7},
	number = {2},
	year = {1998},
	pages = {181-93}
}
@article {14905,
	title = {Contra Schopenhauer: Varlam Shalamov and the Principium Individuationis},
	journal = {REAL},
	volume = {13},
	year = {1997},
	pages = {257-69}
}
@article {14906,
	title = {Towards a Poetics of Documentary Prose {\textemdash} from the Perspective of Gulag Testimonies},
	journal = {Poetics Today},
	volume = {18},
	number = {2},
	year = {1997},
	pages = {187-222}
}
@article {15040,
	title = {Review of John Burt Foster, Jr.Nabokov{\textquoteright}s Art of Memory and European Modernism},
	journal = {Canadian Review of Comparative Literature},
	volume = {23},
	number = {2},
	year = {1996},
	pages = {606-609}
}
@article {14908,
	title = {Awaiting Translation: Lev Konson{\textquoteright}s Gulag Stories},
	journal = {Judaism: A Quarterly Journal of Jewish Life and Thought},
	volume = {45},
	year = {1996},
	pages = {119-27}
}
@article {14907,
	title = {Hard Times and a Critique of Utopia: A Typological Study},
	journal = {Narrative},
	volume = {4},
	year = {1996},
	pages = {218-34},
	abstract = {Reprinted in Charles Dickens, Hard Times. A Norton Critical Edition. Ed. Fred Kaplan and Sylv{\`e}re Monod. Third Edition. New York: Norton, 2001, pp. 465{\textendash}75.}
}
@article {14911,
	title = {The Fragmentation of Experience in Nabokov{\textquoteright}s Fiction},
	journal = {Cycnos},
	volume = {12},
	year = {1995},
	pages = {124-34}
}
@article {14909,
	title = {If Everything Else Fails, Read the Instructions: Further Echoes of the Reception-Theory Debate},
	journal = {Connotations},
	volume = {4},
	year = {1995},
	pages = {151-64}
}
@article {14910,
	title = {L{\textquoteright}{\'e}thique du camouflage narratif.{\textquotedblright} Trans. H{\'e}l{\`e}ne Fiamma.},
	journal = {Europe: revue litt{\'e}raire mensuelle},
	number = {791},
	year = {1995},
	pages = {71-80},
	abstract = {Dutch translation, by Gerard de Vries, of a revised version: {\textquotedblleft}Vorm en ethiek: Nabokovs romans en het scholen van de ontvankelijkheid{\textquotedblright} ({\textquotedblleft}Form and Ethics: Nabokov{\textquoteright}s Fiction and the Education of Sensibilities{\textquotedblright}) De Tweede Ronde (Amsterdam), Winter 1998/99: 191-200. Russian-language version: {\textquotedblleft}Nabokov i etika kamufliazha,{\textquotedblright} in Vladimir Nabokov: Pro et Contra, ed. B. V. Averin. St. Petersburg: Russian Christian Institute for the Humanities, 2001 II: 377{\textendash}86.}
}
@article {15037,
	title = {Review of Julian Connolly,Nabokov{\textquoteright}s Early Fiction},
	journal = {Nabokov Studies},
	volume = {1},
	year = {1994},
	pages = {224-26}
}
@article {14912,
	title = {Liberal Ironists and the {\textquotedblleft}Gaudily Painted Savage{\textquotedblright}: On Richard Rorty{\textquoteright}s Reading of Vladimir Nabokov},
	journal = {Nabokov Studies},
	volume = {1},
	year = {1994},
	pages = {196-206},
	abstract = {Reprinted on the Zembla site.\&nbsp;},
	url = {https://www.libraries.psu.edu/nabokov/tokerp1.htm}
}
@article {15035,
	title = {Review of Journal of Anglo-Italian Studies, vol. 1 (1991)},
	journal = {Mediterranean Language Review},
	volume = {6-7},
	year = {1993},
	pages = {280-83}
}
@article {14913,
	title = {Rhetoric and Ethical Ambiguities in {\textquotedblleft}That Evening Sun{\textquotedblright}},
	journal = {Women{\textquoteright}s Studies},
	volume = {22},
	year = {1993},
	pages = {429-39},
	abstract = {Reprinted in Short Story Criticism: Criticism of the Works of Short Fiction Writers 92, ed. Jelena Krstov{\'\i}c. Farmington Hills: Thomson Gale, 2006, pp. 74{\textendash}79.}
}
@article {15034,
	title = {Review of Vladimir Alexandrov{\textquoteright}sNabokov{\textquoteright}s Otherworld},
	journal = {American Literature},
	year = {1992},
	pages = {186-87}
}
@article {14915,
	title = {Philosophers as Poets: Reading Nabokov with Schopenhauer and Bergson},
	journal = {Russian Literature Triquarterly},
	volume = {24},
	year = {1991},
	pages = {185-96}
}
@article {14914,
	title = {A Tale Untold: Varlam Shalamov{\textquoteright}s {\textquotedblleft}A Day Off{\textquotedblright}},
	journal = {Studies in Short Fiction},
	volume = {28},
	year = {1991},
	pages = {1-8}
}
@article {15033,
	title = {Review ofD. B. Johnson, Worlds in Regression: Some Novels of Vladimir Nabokov},
	journal = {Poetics Today},
	volume = {11},
	year = {1990},
	pages = {703 -706}
}
@article {14920,
	title = {Fact and Fiction in Vladimir Nabokov{\textquoteright}s Biography of Abram Gannibal},
	journal = {Mosaic},
	volume = {22},
	year = {1989},
	pages = {43-56},
	abstract = {Russian version in Pushkinskii iubileinyi (For Pushkin{\textquoteright}s Jubilee), ed. S. Shwarzband. Jerusalem: Praedicta, 1999, pp. 149{\textendash}60.}
}
@article {14916,
	title = {Parallel Experience in Conrad{\textquoteright}s Nostromo},
	journal = {Conradiana},
	volume = {21},
	year = {1989},
	pages = {183-202}
}
@article {14917,
	title = {Stories from Kolyma: The Sense of History (Hebrew University Studies in Literature and the Arts)},
	journal = {HSLA},
	volume = {17},
	year = {1989},
	pages = {189-220}
}
@article {15032,
	title = {Review of Joseph Brodsky{\textquoteright}sLess than One},
	journal = {Southern Humanities Review},
	volume = {22},
	year = {1988},
	pages = {65-67}
}
@article {14921,
	title = {Nabokov{\textquoteright}s {\textquotedblleft}Torpid Smoke{\textquotedblright}},
	journal = {Studies in Twentieth Century Literature},
	volume = {12},
	year = {1988},
	pages = {239-48}
}
@article {14918,
	title = {Tsvetaeva{\textquoteright}s NOVOGODNEE},
	journal = {The Explicator},
	volume = {47},
	year = {1988},
	pages = {31-33}
}
@article {14919,
	title = {Gamesman{\textquoteright}s Sketches (Found in a Bottle): A Reading of Sasha Sokolov{\textquoteright}s Between Dog and Wolf},
	journal = {Canadian-American Slavic Studies},
	volume = {21},
	year = {1987},
	pages = {347-67}
}
@article {14923,
	title = {Nabokov and the Hawthorne Tradition},
	journal = {Scripta Hierosolymitana},
	volume = {32},
	year = {1987},
	pages = {323-49}
}
@article {14924,
	title = {Nabokov{\textquoteright}s Glory: {\textquotedblleft}One Example of How Metaphysics Can Fool You{\textquotedblright}},
	journal = {Russian Literature},
	volume = {21},
	year = {1987},
	pages = {293-312}
}
@article {14922,
	title = {Ted Hughes{\textquoteright}s {\textquotedblleft}Thrushes{\textquotedblright} and the Devils of Hieronymus Bosch},
	journal = {HSLA (Hebrew University Studies in Literature and the Arts)},
	volume = {15},
	year = {1987},
	pages = {151-64}
}
@article {14926,
	title = {Self-Conscious Paralepsis in Vladimir Nabokov{\textquoteright}s {\textquotedblleft}Recruiting{\textquotedblright} and Pnin},
	journal = {Poetics Today},
	volume = {7},
	year = {1986},
	pages = {459-69}
}
@article {14927,
	title = {Ganin in Mary-Land: A Retrospect on Nabokov{\textquoteright}s First Novel},
	journal = {Canadian-American Slavic Studies},
	volume = {19},
	year = {1985},
	pages = {303-13}
}
@article {14928,
	title = {A Nabokovian Character in Conrad{\textquoteright}s Nostromo},
	journal = {Revue de litt{\'e}rature compar{\'e}e},
	year = {1985},
	pages = {15-29}
}
@article {14925,
	title = {Between Allusion and Coincidence: Nabokov, Dickens, and Others},
	journal = {HSLA (Hebrew University Studies in Literature and the Arts)},
	volume = {12},
	year = {1984},
	pages = {175-98}
}
@article {14337,
	title = {Emma: The Handling of a Surprise Gap},
	journal = {HSL (Hebrew University Studies in Literature); special issue in honour of A. A. Mendilow},
	year = {1982},
	pages = {57-74},
	author = {Leona Toker}
}
