“Afterword: The Artist of the Pen, the Hunger Artist, the Artist of the Spade (in Hebrew).” In Varlam Shalamov, The Artist of the Spade, Hebrew translation by Liza Chudnovski, 305-312. Jerusalem: Carmel, 2013.

“Foreword: The Art of Documentation (in Hebrew).” In Varlam Shalamov, The Left Bank, Hebrew translation by Liza Chudnovski, 7-16. Jerusalem: Carmel, 2013.

“The Holocaust in Russian Literature.” In The Literature of the Holocaust, 118-30. Ed. Alan Rosen. Cambridge: Cambridge University Press, 2013.

“Literary Pragmatics: The Addressivity of W.H. Auden’s ‘Spain’.” In H. M. Daleski -- In Memoriam, 26-37. Ed. Ruth Nevo. Jerusalem: The Israel Academy of Sciences and Humanities, 2013.

“Minds Meeting: Bergson, Joyce, Nabokov, and the Aesthetics of the Subliminal.” In Understanding Bergson, Understanding Modernism, 194-212. Ed. Paul Ardoin, S. E. Gontarski, and Laci Mattison. New York: Bloomsbury Academic, 2013.

“Between Dystopia and Allohistory: The Ending of Roth’s The Plot Against America.” Philip Roth Studies 9, no. 1 (2013): 41-50. Publisher's Version

“On the Eve of the Moratorium: The Representation of the Holocaust in Ilya Ehrenburg’s Novel The Storm.” Search and Research: Yad Vashem Lectures and Papers 19 (2013): 37-56. Publisher's Version