Publications

2012
2012. The Kindly Ones and the ‘Scorched-Earth’ Principle. In Writing the Holocaust Today: Critical Perspectives on Jonathan Littell’s The Kindly Ones. Ed. Aurélie Barjonet and Liran Razinsky. Amsterdam: Rodopi, pp. 153-63.
Cohen, E. et al. eds., 2012. Knowledge and Pain, Amsterdam: Rodopi.Abstract
2012. Name Change and Author Avatars in Primo Levi and Varlam Shalamov. In Narrative, Interrupted: The Plotless, the Disturbing and the Trivial in Literature. Ed. Markku Lehtimäki, Laura Karttunen, and Maria Mäkelä. Berlin:: Walter de Gruyter, pp. 227-37.
2012. Review ofThomas Karshan, Vladimir Nabokov and the Art of Play. NOJ (Nabokov On-Line Journal), (6).
2012. Thickening the Description: A Response to John J. Reed and Efraim Sicher. Connotations, 21(1), pp.46-54.
2012. Within the Anti-Fascist Community: Ambivalences in Auden’s ‘Spain’. In Literary Community-Making. Ed. Roger Sell. Amsterdam: John Benjamins, pp. 185-200.
2011
2011. Intermental Units from the Perspective of the Semiological Model. Style, 45(2), pp.344-48.
2011. Introduction: Uneasy Pleasures. Partial Answers, 9(2), pp.211-17.
2011. Review ofJehanne M. Gheith and Katherine R. Jolluck, eds. Gulag Voices: Oral Histories of Soviet Incarceration and Exile. Gulag Studies, 4, pp.133-38.
2011. Syntactics — Semantics — Pragmatics (Still Having One’s Cake?). In Teaching Theory. Ed. Richard Bradford. Basingstoke: Palgrave Macmillan.
2011. Afterword (in Hebrew). In Charlotte Brontë, Villette. Hebrew translation by Sigal Adler. Jerusalem: Carmel, pp. 484-91.
2011. Barbara Wyllie, Vladimir Nabokov. SEER (Slavonic and East European Review), 89(4), pp.726-29.
2011. Review of David Herman, Brian McHale, and James Phelan, eds. Teaching Narrative Theory. symploke, 19(1-2), pp.397-99.
2010
2010. Afterword: On Limitations (in Hebrew). In Vladimir Nabokov, The Original of Laura, Hebrew Translation by Ronen Sonis. Tel Aviv: Yediot Aharonot, pp. 277-81.
2010. Ilia Zakharovic Serman (1913-2010). Toronto Slavic Quarterly, (33), pp.534-36.
2010. Literary Texts and Archival Documents: Between Elision and Allusion. Gulag Studies, 2-3, pp.55-67.Abstract
Earlier Version: “Textes littéraires et documents d’archives: entre élision et allusion.” In Le Goulag en heritage: Pour une anthropologie de la trace. Ed. Elisabeth Anstett and Luba Jurgenson. Paris: Éditions Pétra, 2009, pp. 89–99. A slightly revised Russian Version, “Литература и документ: Опыт взаимопрочтения,” in Варлам Шаламов в контексте мировой литерптуры и Советской Истории, ed. S. M. Soloviev. Moscow: Litera, 2013, pp. 103-10.
2010. Review of Colin Jones, Josephine McDonagh and Jon Mee, eds., Charles Dickens, A Tale of Two Cities and the French Revolution. Dickens Quarterly, 27(2), pp.154-57.
2010. Review ofGene A. Plunka, Holocaust Drama: The Theater of Atrocity. Recherche Littéraire / Literary Research, 26(Summer), pp.102-104.
2010. Towards the Ethics of Form in Fiction: Narratives of Cultural Remission, Columbus, OH: Ohio State University Press.
2009
2009. Introduction: An Eyewitness, a Pier. Partial Answers, 7(2), pp.163-67.