Publications

2009
2009. Review of Leland de la Durantaye, Style Is Matter: The Moral Art of Vladimir Nabokov. The Slavonic and East European Review (SEER), 87(3), pp.535-37.
2009. “Three on Autobiography”. Partial Answers, 7(2), pp.343-48.
2008
2008. The Semiological Model in the Teaching of Literature: Discussing the Title of Austen’s Mansfield Park. Literatura, 50(5), pp.91-97. Available at: . Publisher's Version
Waysband, E. & Toker, L., 2008. A Text within a Text: Fyodor Tumansky’s "Bird" in Varlam Shalamov’s Story "Handwriting" (in Russian). Slavic Almanach, 14(2), pp.138-51.
2008. Being Read byLolita. In Approaches to Teaching Nabokov’s Lolita. Ed. Zoran Kuzmanovich and Galia Diment. New York: The Modern Language Association of America, pp. 152-57.
2008. Belated Gulag Memoirs: Amending Contexts. Gulag Studies, 1, pp.1-26.Abstract
An earlier version published as “Les mémoires tardifs du Goulag ou l’amendement de contexts historiques.” Trans. Peter Henninger et Marielle Silhouette. In Mémoires du Goulag: Déportés politiques européens en URSS, ed. Anne-Marie Pailhès. Paris: Le Manuscript, 2004, pp. 97–129.
2008. Making the Unthinkable Thinkable: Language Microhistory of Politburo Meetings. In The Lost Politburo Transcripts: From Collective Rule to Stalin’s Dictatorship. Ed. Paul R. Gregory and Norman Naimark. New Haven: Yale University Press, pp. 135-64.
Toker, L. & Chertoff, D., 2008. Reader Response and the Recycling of Topoi in Kazuo Ishiguro’s Never Let Me Go. Partial Answers, 6(1), pp.163-80.
2008. Samizdat and the Problem of Authorial Control: The Case of Varlam Shalamov. Poetics Today, 29(4), pp.735-58.
2008. Знаки и символы Варлама Шаламова. In Paths in Art: Symbolism and European Culture in the 20th Century. Ed. D. M. Segal and N. M. Segal (Rudnik). Moscow: Vodolei, pp. 380-90.
2008. О торможении скандала в «Египетской марке» Мандельштама. In Семиотика скандала. Ed. Nora Buhks. Moscow: Evropa, pp. 334-44.
2007
2007. Decadence and Regeneration in Dickens’s Our Mutual Friend. Connotations, 16(1-3), pp.47-59.
2007. Nabokov’s Style: Some Tools for Analysis. In Nabokov: Un’eredità letteraria. Ed.Alide Cagidemetrio and Daniela Rizzi. Venice: Ca’ Foscari University, pp. 37-48.
2007. Nicholas Nickleby and the Discourse of Lent. Dickens Studies Annual: Essays on Victorian Fiction, 38, pp.19-33.
2007. Nuances of Judgment in the Stories of Shalamov (in Russian). In K stoletiu so dnia rozhdenia Varlama Shalamova (Proceedings of the Shalamov Centennial Conference). pp. 109-113.
2007. Testimony and Doubt: Varlam Shalamov’s ‘How It Began’ and ‘Handwriting,’. In Real Stories: Imagined Realities: Fictionality and Non-fictionality in Literary Constructs and Historical Contexts. Ed. Markku Lehtimäki, Simo Leisti and Marja Rytkönen. Tampere: Tampere University Press, pp. 51-67.
2006
2006. Introduction: Tribute to Shlomith Rimmon-Kenan. Literature and Medicine, 25(1), pp.93-94.
2006. Narrative Enthymeme – the Examples of Sterne and Joyce. Partial Answers, 4(2), pp.163-74.
2006. Review ofThe Ethics of Life-Writing, ed. Paul John Eakin. Partial Answers, 4(1), pp.205-208.
2005
2005. Fear and the Crowd: A Reconsideration of Some Motifs of Gulag Literature (in Russian). In Semiotika strakha. Ed. Nora Buhks and Francis Conte. Moscow: Ruskii Institut?Evropa, pp. 320-328.Abstract
Reprinted in K stoletiu so dnia rozhdenia Varlama Shalamova (Proceedings of the Shalamov Centennial Conference). Moscow, 2007, pp. 114–24.