Publications

2000
2000. The Reversal of the Public and the Private in Tertz/Siniavsky’s Goodnight!. Slavic Almanach, 6, pp.84-97.
2000. W. B. Yeats’s “A Prayer for My Daughter”: Ironies of the Patriarchal Stance. Connotations, 9(1), pp.100-110.
2000. Review of Adam Weiner,By Authors Possessed: The Demonic Novel in Russia. Slavic Review, 59(1), pp.241-42.
2000. Review of Galya Diment,Pniniad: Vladimir Nabokov and Marc Sceftel. ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews, 13, pp.69-71.
1999
1999. ‘The Dead Are Good Mixers’: Nabokov’s Version of Individualism. In Nabokov and His Fiction: New Perspectives. Ed. Julian Connolly. Cambridge: Cambridge University Press, pp. 92-108.
1999. Review of Julian W. Connolly, ed., Nabokov’s “Invitation to a Beheading”: A Critical Companion, and Gavriel Shapiro, Delicate Markers: Subtexts in Vladimir Nabokov’s Invitation to a Beheading. Russian Review, 58(4), pp.691-93.
1999. Testimony as Art: Varlam Shalamov’s ‘Condensed Milk’. In Critical Ethics: Text, Theory and Responsibility. Ed. Dominic Rainsford and Tim Woods. Basingstoke: Macmillan, pp. 241-56.Abstract
Reprinted in The Russian Twentieth Century Short Story: A Critical Companion. Ed. Lyudmila Parts. Brighton, MA: Academic Studies Press, 2010, pp. 185–200.
1999. К юбилею В. В. Набокова. Вести, (April 27), p.7.
1998
1998. Veblen, Dickens, and Martin Chuzzlewit’s America. Dickens Quarterly, 15(3), pp.147-57.
1998. Wordsworth’s “Tintern Abbey”: From Self-Consciousness to Sympathy. Connotations, 7(2), pp.181-93.
1998. Maule’s Well and Its Metaphoric Echoes in Hawthorne’s The House of the Seven Gables. In Sounding the Depths: Water as Metaphor in North-American Literatures. Ed. Christine Raguet-Bouvart and Gayle Wurst. Liege: University of Liege Press, pp. 35-44.
1997
1997. Contra Schopenhauer: Varlam Shalamov and the Principium Individuationis. REAL, 13, pp.257-69.
1997. The Evil of Banality: Review of the Hebrew Translation of Vladimir Nabokov’sNikolai Gogol(in Hebrew). Haaretz, (July 9), p.Books 6, 14.
1997. Towards a Poetics of Documentary Prose — from the Perspective of Gulag Testimonies. Poetics Today, 18(2), pp.187-222.
1996
1996. The Adventures of Jenny Jones: Fielding’s ‘Fine Old Moralism’ Reconsidered. In Rereading Texts / Rethinking Critical Presuppositions: Essays in Honour of H.M. Daleski. Ed. Shlomith Rimmon-Kenan, Leona Toker, and Shuli Barzilai. Frankfurt: Peter Lang, pp. 149-61.Abstract
Revised version, "Oppositionality in Fielding’s Tom Jones," in Towards the Ethics of Form in Fiction. Columbus: Ohio State University Press, 2010, pp. 35-48.
1996. Awaiting Translation: Lev Konson’s Gulag Stories. Judaism: A Quarterly Journal of Jewish Life and Thought, 45, pp.119-27.
1996. Hard Times and a Critique of Utopia: A Typological Study. Narrative, 4, pp.218-34.Abstract
Reprinted in Charles Dickens, Hard Times. A Norton Critical Edition. Ed. Fred Kaplan and Sylvère Monod. Third Edition. New York: Norton, 2001, pp. 465–75.
Rimmon-Kenan, S., Toker, L. & Barzilai, S. eds., 1996. Rereading Texts / Rethinking Critical Presuppositions: Essays in Honour of H. M. Daleski, Frankfurt: Peter Lang.
1996. Review of John Burt Foster, Jr.Nabokov’s Art of Memory and European Modernism. Canadian Review of Comparative Literature, 23(2), pp.606-609.
1996. The Whole Story of the Oak and the Calf: Review of The Solzhenitsyn Files, ed. M. Scammell, and of A. Solzhenitsyn, Invisible Allies (in Hebrew). Haaretz, (Sept. 18), p.Books 10, 14.